We thrive best in good company
Publications
PANEL DISCUSSION AT THE ASIAN ART IN LONDON (2014):
Symposium at Asia House, London on 30 October 2014 organized by VASTARI, entitled: The Axis Shifting East. My presentation focused on stereotypes about mutual inspirations of Japan and the Western world.
It was called Feeding stereotypes and you may find it in the following YouTube video between the 51 and 59 minutes.
PUBLICATIONS
2019
Deep into the image. A review of the book “W cieniu Wielkiej Fali. Eseje o japońskim druku i drzeworycie" (In the shadow of the Great Wave. Essays on Japanese printing and woodcut), in: http://honbon.pl
2018
Sztuka interpretacji. Wyimki (The art of interpretation. Excerpts), in: Nowa Dekada Krakowska, Vol. 1 (35), Year: VII (2018)
2017
Kaoyo Gozen and attendants – relationships between the costumes of the kabuki actors of the Kanadehon Chūshingura play and their woodblock-print illustrations, in: East Asian Theatres. Traditions - Inspirations, European / Polish Contexts, ed. Maurycy Gawarski, Beata Kubiak Ho-Chi, Ewa Rynarzewska, series: World Art Studies, Vol. XVII, Polish Institute of World Art Studies & Tako Publishing House, Warsaw–Toruń, pp. 95-103
Poprzestawiać litery (Rearrange the letters), in: Nowa Dekada Krakowska, Vol. 6 (34), Year: VI (2017)
Zbudować symbol (To build a symbol), in: Nowa Dekada Krakowska, Vol. 4/5 (32/33), Year: VI (2017)
Rok Awangardy w Polsce. Anons kulturalny (The Year of avant-garde in Poland. Cultural announcement), in: Nowa Dekada Krakowska, Vol. 3 (31), Year: VI (2017)
The Year of the Avant-garde in Poland.pdf
Marność i pogoń za wiatrem (Vanity and chasing the wind), in: Nowa Dekada Krakowska, Vol. 6 (29/30), Year: VI (2017)
Vanity and chasing the wind.pdf
2016
Bruegel. Unseen Masterpieces – virtual exhibition, czyli czy wirtualny znaczy prawdziwy? (Bruegel. Unseen Masterpieces – virtual exhibition, or Does Virtual Means a Real One?), in: Nowa Dekada Krakowska, Vol. 6 (28), Y: V (2016)
Bruegel. Unseen Masterpieces - virtual exhibition.pdf
2015
"Trzecie spojrzenie: Kościół p.w. Niepokalanego Poczęcia Najświętszej Marii Panny w Kobiernicach. Klasyczna ikonografia a malarstwo abstrakcyjne Adama Brinckena / Third Look: Church of the Immaculate Conception of the Blessed Virgin Mary in Kobiernice. Classic Iconography and Adam Brincken's Abstract Painting", in: Tajemnica i forma. Adam Brincken – malarstwo abstrakcyjne w przestrzeniach sakralnych / Mystery and Form. Adam Brincken – Abstract Painting in Sacral Spaces, publ. GRUPA TOMAMI, Akademia Sztuk Pięknych im. Jana Matejki w Krakowie
"Droga światła. Sakralne witraże Adama Brinckena w Wejherowie, Jarosławiu i Kobiernicach / The Way of the Light. Adam Brincken's Stained-Glass Windows in Wejherowo, Jarosław and Kobiernice", in: Brincken. Wystawa retrospektywna 1975–2015 / Brincken. A Retrospective Exhibition 1975–2015, publ. GRUPA TOMAMI
Brincken - The Way of Light.pdf
Curator's space on the Kimono Un-perfect exhibition website: kimonoreconstruction.joannabodzek.com
Curator's texts to the Kimono Un-perfect exhibition published in the exhibition on-line catalog
Wielowątkowe piękno. Techniki dekoracyjne tkanin japońskich (A Beauty of Many Weaves. Japanese Textile Design Techniques), series: Biblioteka Muzeum Manggha (Manggha Museum Library), publ. Manggha Museum of Japanese Art and Technology
Manggha.pl/sklep-online-mangghashop-pl
2014
Parawan japoński. Sosna, żuraw i góra Fuji / The Japanese Screen. Pines, Cranes and Mount Fuji
(co-author, coordinator), publ. Manggha Museum of Japanese Art and Technology
Manggha.pl/sklep-online-mangghashop-pl
"Z ukrycia" (From behind a folding screen), in: Nowa Dekada Krakowska, Vol. 3/4 (13/14), Year: III (2014)
From behind a folding screen.pdf
"Obrazy Chūshingury, czyli jak opowiedzieć nie mówiąc wprost" (Images of Chūshingura, or telling the story indirectly), in: Materialne i niematerialne dziedzictwo kulturowe Japonii (Tangible and intangible cultural heritage of Japan), publ. University of Warsaw
2013
"Historical subjects represented in the Feliks Jasieński collection of Japanese woodblock-prints", in: Arts of Asia, ed. by J. Malinowski, Vol:2, publ. Polish Institute of World Art Studies
2012
The Treasury of Loyal retainers. The Drama of the 47 Ronin, publ. Manggha Museum of Japanese Art and Technology (woodblock-prints collection study, English language version)
Manggha.pl/sklep-online-mangghashop-pl
Library of the School of Oriental and African Studies, University of London
"Zszywanie materii dokumentalnej" (Stitching doumentary stuff), in: Nowa Dekada Krakowska. Dwumiesięcznik Kulturalny, Vol. 3/4, Year: I (2012)
Stitching documentary matter.pdf
"Kiedy zemsta jest kobietą" (When revenge is a woman), in: Nowa Dekada Krakowska, Vol. 3/4, Year: I (2012)
2011
Japonia patrzy na Zachód / Japan Facing West (co-author, coordinator)
Manggha.pl/sklep-online-mangghashop-pl
2010
"Układy płaszczyzn" (Surface systems), in: Dekada Literacka, Vol. 3(241), Year: 2010
2009
Ichigo ichie. Wchodząc na Drogę Herbaty (Ichigo ichie. Entering the Way of Tea), series: Biblioteka Muzeum Manggha (Manggha Museum Library), publ. Manggha Museum of Japanese Art and Technology
Manggha.pl/sklep-online-mangghashop-pl
Dramat zastygły w drzeworycie. Historia o czterdziestu siedmiu roninach w serii drzeworytów Hiroshige (Drama frozen in woodblock-prints. The forty-seven ronin story in Hiroshige's woodblock-print series), publ. DiG Publishing
"Współczesna ceramika z Kioto w Zbiorach Muzeum Sztuki i Techniki Japońskiej Manggha [komunikat]" (Contemporary Kyoto ceramics in the Manggha Museum of Japanese Art and Technology collection [announcement], in: Sztuka Japonii. Studia, publ. Polish Society of Oriental Art
"Śnieżne lato Adama Korpaka" (Snowy summer by Adam Korpak), Dekada Literacka, Vol. 4(236), Year: 2009